Cat on a hot tin roof. The milk train doesn't stop here anymore. The night of the iguana

Williams, Tennessee (1911-1983)

Edité par Penguin Books - 1976

Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt.
To the triple homes of Mrs. Goforth comes Chris Flanders, the young poet, who because of his past presence in the company of so many elderly women at the time of their deaths has won the mocking nickname of "the angel of death." At first we take him to be, as does Mrs. Goforth, a hustler who is willing to sell his poems, his mobiles, or his body to susceptible and lonely ancients. To Mrs. Goforth, who has lived a full and promiscuous life and is in mortal fear of relinquishing it, Chris comes as an answer to a carnal prayer, a last fling before she is forced to face ultimate loneliness. Then she discovers that he is unwilling to give in to her seductions at any price, that his is a spiritual nature which seeks only to allay her fears and soothe her pain. Until almost the very end she refuses to believe in his virtue. Her life has been so hedged in viciousness that she cannot accept readily anything but venality

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