In it's ideal form, participatory art reconfigures the relationship between artist, art object and audience. Across the twentieh century, this strategy has been heralded as a revolutionary liberation from the production of objects for the market and museums. But is this true? (4e. de couv.)
Une interrogation sur la mission politique des musées d'art contemporain à l'heure de la mondialisation, des restrictions budgétaires et de la crise sanitaire due à l'épidémie de Covid-19. Electre 2022
